In “Queer Authorship, Spectatorship, Gaze, & Sensibility in Horror,” May Santiago examines the use of queer bodies in horror films, specifically in how horror films differ in context when the author (director and/or writer) is queer or non-queer. She will also track how the use of queer bodies and queerness has been used in horror films -- from The Old Dark House (1932) to Knife+Heart (2017). Finally, she will propose the idea of a queer sensibility, where queer authors in the horror genre infuse their films that star non-queer leads with a certain brand of queerness.